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Slow looking is the foundation of my artistic practice. I work primarily with photography and video, alongside drawing, text, and installation. I find inspiration in family albums and love letters, in femininity and changing bodies, in women’s stories, and in moments of silence. Rooted in personal experiences and embodied presence, I explore different notions of home—as place, person, feeling, or the body itself—and how home can be felt, remembered, and imagined.
I am more interested in slow processes and movements than in accelerated and hurried ones. My work explores our relationship with time and alternative temporalities, revealing interconnectedness, the importance of cyclicality, and the ability to allow ourselves to slow down and feel. I observe my subjects over long periods of time—sometimes decades—and by allowing life to happen, I create a poetic space in which acceptance and forgiveness become possible. Directing attention toward imperfections, our shared humanity, and seemingly insignificant daily events becomes a soft act of resistance against dominant narratives of separation, progress, and perfection.
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